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A Moviable Feast

Part 2 Comparing to the Jinx, Jareckis Style. May 9, 2015. May 9, 2015. Now that I have discussed the background of both. Capturing the Friedmans,. Jarecki is certainly not the first documentary filmmaker who uses his work as an outlet for truth-seeking and to, more specifically, challenge court rulings. He is clearly influence by Errol Morriss film,. The Thin Blue Line. Also previously discussed in a post particularly in how he frames some of the evidence that is less than solid. Ill just summarize.

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Alexa Thompson Portfolio

Alexa Thompson is a Salve Regina University graduate with a B. in English Communications and double minors in Marketing and Business Administration. 64 GPA while attending school and was the Vice President for the Salve Chapter of the American Marketing Association. Alexa has had ample experience writing for various types of media both in and outside the classroom . Leave a Reply Cancel reply.

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A Moviable Feast

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Part 2 Comparing to the Jinx, Jareckis Style. May 9, 2015. May 9, 2015. Now that I have discussed the background of both. Capturing the Friedmans,. Jarecki is certainly not the first documentary filmmaker who uses his work as an outlet for truth-seeking and to, more specifically, challenge court rulings. He is clearly influence by Errol Morriss film,. The Thin Blue Line. Also previously discussed in a post particularly in how he frames some of the evidence that is less than solid. Ill just summarize.

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The site had the following in the homepage, "Part 2 Comparing to the Jinx, Jareckis Style." I noticed that the web site stated " Now that I have discussed the background of both." They also stated " Jarecki is certainly not the first documentary filmmaker who uses his work as an outlet for truth-seeking and to, more specifically, challenge court rulings. He is clearly influence by Errol Morriss film,. Also previously discussed in a post particularly in how he frames some of the evidence that is less than solid."

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Dialogue on Documentaries

However, this definition can be disputed on all points. A surveillance camera would show real people in their real lives, yet without cutting or editing the video it lacks the substance to be considered a film. Trying to decipher my own example, the film.

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Whats Up Doc? A Blog About Documentary Films

When I first started watching. The Thin Blue Line,. Featured longer shots with little cuts. I was never really drawn in to the film.