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The setting at the beginning of the novel provides a sympathetic background to the action and the feelings of Gjorg. The snow and wild pomegranates are personified as silent watchers and motionless witnesses , waiting to see what he might do. April, for Gjorg has been metaphorically broken .
In the beginning of the novel, the omniscient narrator explains to us that Gjorg is feeling a sense of desolation, that is really inside him. He is described as either fearful or simply troubled.
In this chapter, Kadare uses several symbols to make the readers think about the relationshsip of Diana, Bessian, and Gjorg. One symbol that is repeated constantly not only in this chapter, but all throughout the book, is the window.
Hey there, how are you? You could c.
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