Date Range
Date Range
Date Range
Friday, September 13, 2013. A post in 2013? Hi Blogger friends,. Deadline and to some extent, September 15. For the clients that have been extended.
Posted in Stopping by Woods. Show road rage, if you are driving in Calcutta you do not.
Wednesday, March 24, 2010. But my blog has been virtually impossible to open on Firefox and Safari. Quite, quite fed up. Cutting and pasting from blogger as and when it opens for a few seconds. Calling out, lane to lane,.
Tuesday, June 22, 2010. 2 Another major theme is that of cause and effect and how it perpetuates a never-ending cycle, in this case a cycle of violence. Unless one party is able to engage the higher side of their being and willingly surrender the upper hand that is. Friday, June 4, 2010.
Join me on Facebook! Saturday, June 26, 2010. Hindi film title of the day. Friday, June 25, 2010. Hindi word of the day! All s.
Saturday, August 04, 2007. Friday, August 03, 2007.
I Have a Cunning Plan! Of cinema, TV and unimaginative taglines. Saturday, May 24, 2008. A Fine Moment from Our Finest Hour.
The Elephant and The Rider. A New Logo for Doordarshan. A Few Design Suggestions for the Trump-Pence Campaign Logo. Doing Jalsa and Showing Jilpa.
Sunday, November 13, 2011. Catch Masala Zindabad on iTunes. Click the player above to listen to the latest episode. As we queue up for tickets for the new one! Everyone should read this fascinating. The director of the 1978 Don.
Gong Est Mort, Vive Gong - Record Store Day 2013. Fab 5 Freddy - Change The Beat. Jean Karakos on the Ross Allens Meltdown Radio Show. The Clash and Futura 2000 The Escapades Of Futura 2000.
Zijn de filmfragmenten verwerkt tot een compositie op meerdere smartphones. De winnende inzending is hieronder te zien. You need a browser that understands the html5 video tag to play this item.
Do Cinephiles Dream of Celluloid Sheep? Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. And in the real cinema, every object and every light means something, as in a dream. The Sympathetic Abject in George A.