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Whichever way you look at her she seems as real as the woman next door. Next door but a smaller city or town like, for instance, my other adoptive home Brussels. Be the lady that runs the bakery on the ground floor in my building in Brussels. Is therefore a hyper-real figure constructed from different features and, because of that, doubly real in my eyes. Woman with Dog, 1977. The Whitney Museum of American Art.
Almost eleven years ago i saw Venice for the first time, in a hasty couple of hours stop on the way to France. It was late October and no tourists waves. The ténébreux air of the city stroke with its power to ingest one in its convoluted structure. My work featured on Slippery Edge.
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