Hugh Tildesley, coach and tapper at the Beijing Paralympics. Sunday, September 14, 2008. We both knew the significance of the night. The last time in this forum. No more pressure, no more crowds, no more expectations. We have both worked hard to enjoy the moment. To dwell on success and not perseverate on what could have been. We shook hands as we left the deck. His head was high, there was a smile. The difficulty of judging time, space and terrain, .

Thursday, December 15, 2016. Whatever peculiar forces have propelled me here, whatever valleys I have managed to traverse, I stand before you now, a greyer, fatter, sadder reflection. And I realise that joy is nowhere but inside a yellow box at the bottom of my refrigerator, and a nozzle lets it out. Tuesday, November 04, 2014. A projection on the inner curve of my forehead.

Launch of first Westport Festival of Chamber Music, 6-8 September 2013 Read Further. European Piano Masterworks Read Further.

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Made his initial reputation as an abstract painter showing in New York City during the seventies. Works from that period in the Clement Greenberg Collection were recently included in the traveling museum exhibition of this collection. He brings both the eye and techniques of a highly talented abstractionist. His large scale acrylic landscapes in particular speak forcefully about his roots in Abstract Formalism. Contemporary Art Museum, Houston. Denver Museum of Fine Art.