theonlydifficulty wordpress.com
Cinema Mon Amour
November 26, 2010. I saw Mala Noche, by Gus Van Sant, the night before. A bit of a co-incidence because Id just finished shooting my first short, also about a couple, the other day. It is one film where the camera and the editing are fully in sync with the script but not dependent on it. I dont know how Gus Van Sant achieved that but I would love to know. November 21, 2010. November 21, 2010. There is yet again a white woman in the film- the new fad in Bolly and as usual, she has got nothin.
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Reading Orwell in Singapore
By George Orwell, edited by Peter Davison. Selected and annotated by Peter Davison. George Orwell on Southwold Beach, Suffolk, early 1930s. We started walking on the footpath that diagonally bisected the field. Read the complete text here.
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Cinema Mon AmourDESCRIPTION
November 26, 2010. I saw Mala Noche, by Gus Van Sant, the night before. A bit of a co-incidence because Id just finished shooting my first short, also about a couple, the other day. It is one film where the camera and the editing are fully in sync with the script but not dependent on it. I dont know how Gus Van Sant achieved that but I would love to know. November 21, 2010. November 21, 2010. There is yet again a white woman in the film- the new fad in Bolly and as usual, she has got nothin.PARSED CONTENT
The site had the following in the homepage, "I saw Mala Noche, by Gus Van Sant, the night before." I noticed that the web site stated " A bit of a co-incidence because Id just finished shooting my first short, also about a couple, the other day." They also stated " It is one film where the camera and the editing are fully in sync with the script but not dependent on it. I dont know how Gus Van Sant achieved that but I would love to know. There is yet again a white woman in the film- the new fad in Bolly and as usual, she has got nothin."ANALYZE MORE BUSINESSES
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